Industrial Society and its Future: Difference between revisions
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{{Italic title}}'''''Industrial Society and its Future''''', also known as the '''Unabomber manifesto''', is the sociopolitical manifesto of the notorious [[Post-left anarchism|anti-left]] [[anarchist]] and [[primitivist]] [[terrorist]] bomber [[Theodore Kaczynski]], originally known as the Unabomber. In 1995, Kaczynski forced ''[[The Washington Post]]'' to publish the work in full by threatening to continue his bombing campaign. Its publication led to his capture when his brother recognized Kaczynski's writing style and turned him in. | {{Italic title}}'''''Industrial Society and its Future''''', also known as the '''''Unabomber manifesto''''', is the sociopolitical manifesto of the notorious [[Post-left anarchism|anti-left]] [[anarchist]] and [[primitivist]] [[terrorist]] bomber [[Theodore Kaczynski]], originally known as the Unabomber. In 1995, Kaczynski forced ''[[The Washington Post]]'' to publish the work in full by threatening to continue his bombing campaign. Its publication led to his capture when his brother recognized Kaczynski's writing style and turned him in. | ||
The work is highly critical of [[leftism]] and [[Marxism]]; however, some of its critiques conflate traditional leftism with the [[left-liberal]], [[progressive]], and [[radlib]] politics of the 1990s. | The work is highly critical of [[leftism]] and [[Marxism]]; however, some of its critiques conflate traditional leftism with the [[left-liberal]], [[progressive]], and [[radlib]] politics of the 1990s. | ||
Revision as of 16:49, 31 March 2024
Industrial Society and its Future, also known as the Unabomber manifesto, is the sociopolitical manifesto of the notorious anti-left anarchist and primitivist terrorist bomber Theodore Kaczynski, originally known as the Unabomber. In 1995, Kaczynski forced The Washington Post to publish the work in full by threatening to continue his bombing campaign. Its publication led to his capture when his brother recognized Kaczynski's writing style and turned him in.
The work is highly critical of leftism and Marxism; however, some of its critiques conflate traditional leftism with the left-liberal, progressive, and radlib politics of the 1990s.